THEATRE CREDITS 2017 MIDNIGHT AT THE NEVER GET Provincetown Inn (Live Mixer) 2014 RED Payomet Performing Arts (Sound Designer) I AM A CAMERA THE FABULOUS LIPITONES PERIOD OF ADJUSTMENT Wellfleet Harbor Actors Theatre (Sound Designer) 2013 JESUS CHRIST SUPERSTAR Provincetown Inn (Electric guitar) Lewis Black's ONE SLIGHT HITCH Wellfleet Harbor Actors Theatre (Sound engineer) 2009 DESTRY RIDES AGAIN 42nd Street Moon, San Francisco (Stage Manager) WHOOP CLICK with James Judd Dark Room, San Francisco (Sound, lighting technician) 7 SINS with James Judd (2nd run) Exit Theatre, San Francisco (Sound, lighting technician) 2008 I AM NOT JAPANESE Theatre Rhinoceros, San Francisco (Sound and lighting design) 7 SINS with James Judd Theatre Rhinoceros and Exit Theatre, San Francisco (Sound, lighting technician)  TALKING WITH ANGELS Actors Center of San Francisco (Sound, lighting operator) 2006 STREAKIN', A MUSICAL FLASHBACK TO THE 70s Provincetown Theater (Live Mixer) DELI THEATRE (Sound Designer) ROMANCE Wellfleet Harbor Actors Theater (Sound Designer) 2005 PUGILIST SPECIALIST HAZARD COUNTY MCREELE Wellfleet Harbor Actors Theatre (Sound Designer) BUG MERCY ON THE DOORSTEP Wellfleet Harbor Actors Theatre (SFX Programmer) 2004 GLITTERATI IMMORAL IMPERATIVES Wellfleet Harbor Actors Theatre (Sound Designer) 2003 PROOF LIVE GIRLS TRUE WEST Wellfleet Harbor Actors Theatre (Sound Designer) 1997 7 BLOWJOBS Wellfleet Harbor Actors Theatre (Sound Designer) Also served as sound consultant at Payomet Performing Arts in Truro, Mass., 2003-2006

REVIEWS MIDNIGHT AT THE NEVER GET "People constantly tell me how incredible the sound has been for the show... feel lucky that my songs are being communicated so beautifully." -Mark Sonnenblick, playwright and performer (I should give a shoutout here to sound designer Kevin Heard as well) PROOF "...a version of "Proof" in Wellfleet that's infinitely better than the Broadway version." -Ed Siegal, Boston Globe MCREELE "The plethora of ideas ricochets and reverberates from scene to scene, dynamically supported by Dan Joy’s rolling graphic set panels and evocative sound by Mike Iacuessa, including specially-composed music... (WHAT should put the soundtrack on sale in the lobby and website.)" -Carol Drew, Edge Boston IMMORAL IMPERATIVES "As usual, the technical crew is excellent at WHAT, with Dan Joy designing the sets, Christopher Ostrom as lighting designer, Michael Iacuessa on sound design..." -Rebecca M. Alvin, The Cape Codder TRUE WEST "The choice of each musical interlude is perfect, a treat delivered well by sound designer Mike Iacuessa." -Sue Harrison, Provincetown Banner LIVE GIRLS "Mike Iacuessa's sound design negotiates all the complexities of the script's playing with what is 'live' and what is not. There's a particularly fine moment when Sonia, conjured by Sarah's replaying of their emotionally charged interview, walks on, silently mouthing her own words as they unspool on the tape. Then, seamlessly the recording goes silent, and Sonia is speaking for herself." -Sam Allis, Boston Globe PERIOD OF ADJUSTMENT "Sound designer Mike Iacuessa must have broken into a time capsule to mix his rich batch of swinging '60s tunes and TV clips." -Rob Phelps, Provincetown Banner W.H.A.T. was named Best Theater by Boston Magazine in 2004